类别：传统戏剧

出处：http://www.gdsqyg.com/agdfyzg/mingluinfo?mlproid=2018040379012827

简介：广东省紫金县的木偶戏属于提线木偶，1885 年由龙窝镇宝洞村邓木村等人从福建引入，并成立荣华堂戏班。至清末民初，当地有荣华堂、崇华堂、新艳华等 8 个木偶戏班，活跃在紫金县乡村，以及周边的五华、惠阳、陆丰等地。龙窝提线木偶造型精细，高度约 60-70 厘米，所用木偶的头、手、脚皆以樟木雕刻而成，中间身子是用竹（竹皮）做成，再把头、手、脚装上去，经粉漆、彩绘、穿戴戏服而装扮成各种人物角色。人物角色生、旦、公、婆、净、丑六大行当齐全。其传统剧目多数取材于民间传说、民间故事和历史人物，有《白蛇传》《薜仁贵征东》《化子进城》等，表现有文官武将、才佳人、草莽英雄、村夫、农妇以及神话人物等，宣扬忠贞爱国、惩恶扬善和向往美好爱情的积极主题，歌颂英雄人物和人民群众的创造精神。新中国成立后，新创了《党的号召》《有了土地多生产》《银山笛声》等现代剧目。表演时，布置一个小舞台，只见木偶不见人，提线表演者站在帷幕后高处，一边操纵木偶，一边念唱。紫金提线木偶戏用客家方言演唱，唱腔音乐由粤剧、花朝戏唱腔、民间小调、山歌曲调衍生而来，有 20 多种曲牌，自成一格。唱词、道白自然。舞台语言典型化，通俗易懂，大量运用客家的俚语、歇后语、双关语，并通过插科打浑、一问一答、一唱一和以达到特有的艺术效果。伴奏由管弦乐和打击乐组成，指挥由司鼓担任，管弦乐部分由唢呐领奏，二胡、高胡、扬琴伴奏，打击乐部分由鼓、木鱼领奏，斗锣、小锣、大钹、小钹等伴奏。紫金提线木偶戏具有浓郁的乡土气息和民俗风情，在传统戏剧、民俗文化等方面都具有较高的历史价值和文化价值。紫金提线木偶戏的剧本唱词中，反映了地方社会文化的变迁，为研究客家地区社会发展提供了重要的作证材料。当地文化部门在提线木偶的保护、传承方面采取了一定措施，但由于木偶戏演出市场的萎缩，仍存在演出设施简陋、演艺人员老化等问题，亟待进行保护。

英译：The string puppetry of Zijin County, Guangdong Province, belongs to the tradition of11string-controlled puppets. It was introduced from Fujian by residents of Baodong Village, LongwoTown, including Deng Mucun, in 1885, leading to the establishment of the Ronghua Hall troupe. By the late Qing Dynasty and early Republican era, there were eight puppetry troupes in ZijinCounty, such as Ronghua Hall, Chonghua Hall, and Xinyanhua, which were active in rural areasof Zijin County and neighboring regions like Wuhua, Huiyang, and Lufeng. The string puppets of Longwo are finely crafted, approximately 60-70 centimeters tall. Theirheads, hands, and feet are carved from camphor wood, while their bodies are made of bamboo(with bamboo bark). These parts are assembled and adorned with powdered lacquer, painted invarious costumes to depict characters. The roles encompass all six traditional categories: male lead, female lead, painted face, old man, clown, and child roles. Their traditional repertoire draws fromfolk legends, stories, and historical figures, featuring works such as "Legend of the White Snake,""Xue Rengui's Expedition to the East," and "Go into town in disguise." They portray civil andmilitary officials, talented individuals, heroes, villagers, peasant women, and mythical figures, promoting themes of loyalty, patriotism, punishment of evil, promotion of good, and longing forideal love, extolling heroic figures and the creative spirit of the people. After the establishment ofthe People's Republic of China, modern productions such as "Call of the Party," "IncreasedProduction with Land," and "Sound of Silver Mountain" were created. During performances, a small stage is set up where only the puppets are visible, and thepuppeteers stand behind the curtain at a high position, manipulating the puppets and reciting orsinging. The string puppetry of Zijin County is performed in Hakka dialect, with musical tunesderived from Cantonese opera, Huachao opera tunes, folk tunes, and mountain song melodies, totaling more than 20 styles, forming its unique style. The lyrics and dialogue are natural and thestage language is typical, simple, and understandable, extensively employing Hakka slang, proverbs, puns, and achieving unique artistic effects through humorous asides, question-and-answer sequences, and group singing. The accompaniment consists of orchestral and percussion instruments, conducted by the sudrum. The orchestral section is led by the suona, accompanied by erhu, gaohu, yangqin, andpercussion instruments such as drums, wood blocks, small gongs, and large cymbals. The string puppetry of Zijin County exudes a strong local flavor and folk customs, holdinghigh historical and cultural value in traditional drama and folk culture. The scripts and lyricsreflect the changes in local social culture, providing important evidence for studying the socialdevelopment of Hakka areas. Local cultural departments have taken measures to protect andinherit string puppetry, but issues such as the shrinking performance market, inadequate facilities, and aging performers still need urgent attention for protection.

类别：传统戏剧

出处：http://www.gdsqyg.com/agdfyzg/mingluinfo?mlproid=2018040379012827

简介：广东省紫金县的木偶戏属于提线木偶，1885 年由龙窝镇宝洞村邓木村等人从福建引入，并成立荣华堂戏班。至清末民初，当地有荣华堂、崇华堂、新艳华等 8 个木偶戏班，活跃在紫金县乡村，以及周边的五华、惠阳、陆丰等地。龙窝提线木偶造型精细，高度约 60-70 厘米，所用木偶的头、手、脚皆以樟木雕刻而成，中间身子是用竹（竹皮）做成，再把头、手、脚装上去，经粉漆、彩绘、穿戴戏服而装扮成各种人物角色。人物角色生、旦、公、婆、净、丑六大行当齐全。其传统剧目多数取材于民间传说、民间故事和历史人物，有《白蛇传》《薜仁贵征东》《化子进城》等，表现有文官武将、才佳人、草莽英雄、村夫、农妇以及神话人物等，宣扬忠贞爱国、惩恶扬善和向往美好爱情的积极主题，歌颂英雄人物和人民群众的创造精神。新中国成立后，新创了《党的号召》《有了土地多生产》《银山笛声》等现代剧目。表演时，布置一个小舞台，只见木偶不见人，提线表演者站在帷幕后高处，一边操纵木偶，一边念唱。紫金提线木偶戏用客家方言演唱，唱腔音乐由粤剧、花朝戏唱腔、民间小调、山歌曲调衍生而来，有 20 多种曲牌，自成一格。唱词、道白自然。舞台语言典型化，通俗易懂，大量运用客家的俚语、歇后语、双关语，并通过插科打浑、一问一答、一唱一和以达到特有的艺术效果。伴奏由管弦乐和打击乐组成，指挥由司鼓担任，管弦乐部分由唢呐领奏，二胡、高胡、扬琴伴奏，打击乐部分由鼓、木鱼领奏，斗锣、小锣、大钹、小钹等伴奏。紫金提线木偶戏具有浓郁的乡土气息和民俗风情，在传统戏剧、民俗文化等方面都具有较高的历史价值和文化价值。紫金提线木偶戏的剧本唱词中，反映了地方社会文化的变迁，为研究客家地区社会发展提供了重要的作证材料。当地文化部门在提线木偶的保护、传承方面采取了一定措施，但由于木偶戏演出市场的萎缩，仍存在演出设施简陋、演艺人员老化等问题，亟待进行保护。

英译：The string puppetry of Zijin County, Guangdong Province, belongs to the tradition of11string-controlled puppets. It was introduced from Fujian by residents of Baodong Village, LongwoTown, including Deng Mucun, in 1885, leading to the establishment of the Ronghua Hall troupe. By the late Qing Dynasty and early Republican era, there were eight puppetry troupes in ZijinCounty, such as Ronghua Hall, Chonghua Hall, and Xinyanhua, which were active in rural areasof Zijin County and neighboring regions like Wuhua, Huiyang, and Lufeng. The string puppets of Longwo are finely crafted, approximately 60-70 centimeters tall. Theirheads, hands, and feet are carved from camphor wood, while their bodies are made of bamboo(with bamboo bark). These parts are assembled and adorned with powdered lacquer, painted invarious costumes to depict characters. The roles encompass all six traditional categories: male lead, female lead, painted face, old man, clown, and child roles. Their traditional repertoire draws fromfolk legends, stories, and historical figures, featuring works such as "Legend of the White Snake,""Xue Rengui's Expedition to the East," and "Go into town in disguise." They portray civil andmilitary officials, talented individuals, heroes, villagers, peasant women, and mythical figures, promoting themes of loyalty, patriotism, punishment of evil, promotion of good, and longing forideal love, extolling heroic figures and the creative spirit of the people. After the establishment ofthe People's Republic of China, modern productions such as "Call of the Party," "IncreasedProduction with Land," and "Sound of Silver Mountain" were created. During performances, a small stage is set up where only the puppets are visible, and thepuppeteers stand behind the curtain at a high position, manipulating the puppets and reciting orsinging. The string puppetry of Zijin County is performed in Hakka dialect, with musical tunesderived from Cantonese opera, Huachao opera tunes, folk tunes, and mountain song melodies, totaling more than 20 styles, forming its unique style. The lyrics and dialogue are natural and thestage language is typical, simple, and understandable, extensively employing Hakka slang, proverbs, puns, and achieving unique artistic effects through humorous asides, question-and-answer sequences, and group singing. The accompaniment consists of orchestral and percussion instruments, conducted by the sudrum. The orchestral section is led by the suona, accompanied by erhu, gaohu, yangqin, andpercussion instruments such as drums, wood blocks, small gongs, and large cymbals. The string puppetry of Zijin County exudes a strong local flavor and folk customs, holdinghigh historical and cultural value in traditional drama and folk culture. The scripts and lyricsreflect the changes in local social culture, providing important evidence for studying the socialdevelopment of Hakka areas. Local cultural departments have taken measures to protect andinherit string puppetry, but issues such as the shrinking performance market, inadequate facilities, and aging performers still need urgent attention for protection.