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1

1.1

扉页
1.2

目录
1.3

“博雅双语名家名作”出版说明
1.4

图录
1.5

INTRODUCTION
1.6

导论
1.7

I. FROM THE HAN TO THE T’ANG DYNASTY
1.8

壹从汉代到唐代
1.9

II. THE SUNG PERIOD: LANDSCAPISTS AND POET PAINTER...
1.10

贰宋代：山水画家与诗人画家
1.11

III. THE SUNG PERIOD: HISTORIANS AND THEORETICIANS
1.12

叁宋代：艺术史家与理论家
1.13

IV. CH’AN BUDDHISM AND ITS RELATION TO PAINTING
1.14

肆禅宗及其与绘画的关系
1.15

V. THE YÜAN PERIOD
1.16

伍元代
1.17

VI. THE MING PERIOD: HISTORICAL THEORIES AND NOTES...
1.18

陆明代：画史理论与对前辈大师的注解
1.19

VII. THE MING PERIOD: AESTHETIC PRINCIPLES AND TEC...
1.20

柒明代：审美原理与技巧问题
1.21

VIII. THE CH’ING PERIOD: NEW INDIVIDUAL DEPARTURES
1.22

捌清代：新个人主义的背离
1.23

IX. THE CH’ING PERIOD: TRADITIONAL PRINCIPLES REAS...
1.24

玖清代：对传统原则的重申
1.25

APPENDIX I KU HUA P’IN LU BY HSIEH HO
1.26

附录一《古画品录》谢赫著
1.27

APPENDIX II HSÜ HUA P’IN BY YAO TSUI
1.28

附录二《续画品》姚最著
1.29

APPENDIX III LI TAI MING HUA CHI BY CHANG YEN-YÜAN
1.30

附录三《历代名画记》张彦远著
1.31

APPENDIX IV PI FA CHI (NOTES ON BRUSH-WORK) BY CHI...
1.32

附录四《笔法记》荆浩著
1.33

INDEX OF CHINESE NAMES, TERMS AND BOOKS

中国画论 .( 瑞典) 喜龙仁著;张冰译

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