全屏显示专题章节

Achterberg，G．(1979)．Verzamelde Gedichten［Selected Poems］．Amsterdam:Querido．

Adorno，Th．W．(1955)．Prismen．Kulturkritik und Gesellschaft［Prisms:Critique of Culture and Society］．Frankfurt am Main: Suhrkamp．

——．(1958)．Philosophie der neuen Musik［Philosophy of New Music］．Frankfurt am Main:Europ－ische Verlagsanstalt．

——．(1970)．sthetische Theorie［Aesthetic Theory］．In Gesammelte Schriften［CollectedWorks］，vol．7．Frankfurt am Main:Suhrkamp．

——．(1982)．ber Jazz［On Jazz］．In Gesammelte Schriften［CollectedWorks］，vol．17，74-108．Frankfurt am Main:Suhrkamp．

——．(1984)．Musikalische Schriften V［Musical Writings V］．In Gesammelte Schriften［Collected Works］，vol．18．Frankfurt am Main:Suhrkamp．

Aler，J．M．M．(1970a)．Inleiding en commentaar［Introduction and Commentary］．In M．Heidegger，Wat is metafysica?［What Is Metaphysics?］．Tiel/Bussum，The Netherlands:Lannoo．

——．(1970b)．Krise der Kunst—Kunst der Krise［Crisis of Art—Art of Crisis］．In Schopenhauer-Jahrbuch:50-73．Frankfurt am Main: Waldemar Kramer．

Allison，D．(ed．)．(1977)．TheNew Nietzsche:Contempory Styles of Interpretation．New York:Dell．

Alquié，F．(1969)．The Philosophy of Surrealism．Ann Arbor:The University of Michigan Press．Aristotle．(1984)．TheCompleteWorks of Aristotle．The Revised Oxford Translation．Ed．Jonathan Barnes．Princeton:Princeton University Press．Barbrook，R．en A．Cameron．(1995)．The Californian Ideology，Http://www．wmin．ac．uk/media/HRC/ci/calif5．html．Barglow，R．(1994)．The Crisis of the Self in the Age of Information: Computers，Dolphins and Dreams．London/New York:Routledge．Barthes，R．(1975)．Roland Barthes par Roland Barthes［Roland Barthes by Roland Barthes］．Paris:Seuil．

——．(1977)．Critical Essays．Evanston，Ill．:Northwestern University Press(Originally published as Essais critiques，1964)．

——．(1979)．ALover's Discourse:Fragments．London:Jonathan Cape(Originally published as Fragments d'un discours amoureux，1977)．

——．(1984b)．Writing DegreeZero

Elements of Semiology．Suffolk，U．K．:Edmundsbury Press(Originally published as Le degrézéro de l'écriture，1953，andlements de sémiologie，1964)．Baum，G．(1984)．Schopenhauer und die Musik der Goethezeit［Schopenhauer and Music of the Goethe Era］．In Schirmacher，1984:170-174．Beeren，W．(1988)．Frank Stella．Catalogus Stedelijk Museum no．719［Frank Stella:Catalogue of the Municipal Museum］．Amsterdam:Stedelijk Museum．Behler，E．(1978)．Nietzsche und die frühromantische Schule［Nietzsche and the Early RomanticMovement］．In Nietzsche-Studien 7:59-96．Behler，E．and J．H9risch(eds．)．(1987)．Die Aktualit－t der Frühromantik［Actuality of Early Romanticism］．Paderborn，Germany:Ferdinand Sch9ningh．

Beierwaltes，W．(1982)．Einleitung［Introduction］．In F．W．J．Schelling，Texte zur Philosophie der Kunst［Texts on Philosophy of Art］，3-49．Stuttgart:Reclam．

Benjamin，W．(1973)．Der Begriff der Kunstkritik in der deutschen Romantik(1920)［The Concept of Art Criticism in German Romanticism］．Frankfurt am Main:Suhrkamp．

——．(1974)．Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit［The Work of Art in the Era of Its Technical Reproductibility］．In Gesammelte Schriften［Collected Writings］，vol．1-2，471-508．Frankfurt am Main:Suhrkamp．

——．(1977)．Der Sürrealismus．Die letzte Momentaufnahme der europ－ischen Intelligenz［Surrealism:Last Snapshot of European Intelligence］．In GesammelteSchriften［Collected Writings］，vol．2-7，295-310．Frankfurt am Main:Suhrkamp．

Berman，R．A．(1987)．Konsumgesellschaft．DasErbe der Avantgarde und die falsche Aufhebung der－sthetischen Autonomie［Consumer Society:The Heritage of the Avant-garde and the False Overcoming of Aesthetic Autonomy］．In Bürger and Bürger，1987，56-71．

Bernstein，R．J．(1983)．Beyond Objectivism and Relativism:Science，Hermeneutics and Praxis．Oxford:Basil Blackwell．

Biemel，W．(1959)．DieBedeutung von KantsBegründung dersthetik für diePhilosophie der Kunst［The Meaning of Kant's Foundation of Aesthetics for Philosophy of Art］．Cologne:K9lner Universit－ts-Verlag．

——．(1973)．Martin Heidegger in Selbstzeugnissen und Bilddokumenten［Martin Heidegger in Self-Testimonies and Images］．Reinbek bei Hamburg:Rowohlt．

Black，M．(1978)．Metaphor．In J．Margolis(ed．)，Philosophy Looks at the Arts:Contemporary Readings in Aesthetics，451-467．Philadelphia:Temple University Press．

Blondel，E．(1977)．Nietzsche:Life as Metaphor．In D．B．Allison(ed．)，The New Nietzsche:Contemporary Styles of Interpretation，150-175．New York:Dell．

——．(1984)．Nietzschesmetaphorisches Denken［Nietzsche'sMetaphorical Thinking］．In NietzscheKontrovers4:92-109．

B9nig，T．(1986)．Metaphysik und Sprache beim frühen Nietzsche［Metaphysics and Language in Early Nietzsche］．In Nietzsche Studien 15:72-106．

Boulez，P．(1975)．Par volontéet par hasard［By Will and by Chance］．Paris:ditions du Seuil．

Breton，A．(1977)．Manifestoes of Surrealism．Ann Arbor:The University of Michigan Press．

Br9cker，W．(1963)．Das was kommt gesehen von Nietzsche und H9lderlin［ThatWhich Comes asSeen by Nietzsche and H9lderlin］．Pfullingen，Germany:Neske．

Broers，G．(1982)．De Anti-Opera， of :Muziek en de grote stijl［Anti-Opera，or:Music and the GreatStyle］．M．A．thesis，University of Amsterdam．

Bürger，P．(1974)．Theorie der Avantgarde［Theory of the Avantgarde］．Frankfurt am Main:Suhrkamp．

Bürger，C．and P．Bürger(eds．)．(1987)．Postmoderne:Alltag，Allegorie und Avantgarde［Postmodernity:Everyday Life，Allegory，and Avant-garde］．Frankfurt am Main:Suhrkamp．

Foucault］．In W．Seiter(ed．)，Michel Foucault．Von der Subversion des Wissens［Michel Foucault:On the Subversion of Knowledge］，7-31．Münich:Carl Hanser Verlag．

Coleridge，D．and S．(eds．)．(1860)．The Poems of Samuel Taylor Coleridge．Leipzig:Tauchnitz．

Colli，G．，(1980)．Die nachgelassenen Fragmenten von Herbst 1885 bis Herbst 1887［Posthumous Fragments from Autumn 1885 till Autumn 1887］．In F．Nietzsche，Kritische Studienausgabe，vol．13，651-668．Berlin:Walter de Gruyter．

Cousineau，R．H．(1972)．Heidegger，Humanism and Ethics．An Introduction to the Letter on Humanism．Leuven，Belguim:Editions Nauwelaerts．

［Classic and Romantic Aesthetics of Music］．Laaber，Germany: Laaber-Verlag．

De Boer，Th．(1989)．Van Brentano tot Levinas．Studies over de fenomenologie［From Brentano to Levinas:Studies in Phenomenology］．Meppel/Amsterdam:Boom．

DeMan，P．(1974)．Nietzsche's Theory of Rhetoric．Symposium:AQuarterly Journal in Modern Foreign Literatures，28:33-51．

DeMeyer，G．(1982)．Notities voor een communikatieve benadering van demuziek［Notes for a Communicative Approach of Music］．In G．de Meyer(ed．)，Muziek en non-communicatie．Het geval van de minimale/repetitieve muziek［Music and Non-Communication:The Case of Minimal/Repetitive Music］．Leuven，Belgium:Centrum voor Communicatiewetenschappen．

DeMul，J．(1985)．Image without Origin:On Nietsche's Transcendental Metaphor．In P．J．McCormick(ed．)，TheReasons of Art/Art et ses raisons，272-284．Ottawa:University Press/ditions de l'Universitéd'Ottawa．

——．(1987)．Genetic Structuralism and ConceptualRelativism．In P．Weingartner and G．Schurz(eds．)，Reports on the 11th International Wittgenstein-Symposium，31-34．Vienna:H9lder-Pichler-Tempsky．

——．(1988)．TheDevelopment of Aesthetic Judgement:Analysis of a Genetic-StructuralistApproach．Journal of AestheticEducation 22．2: 55-71．

——．(1991)．Dilthey's Narrative Model of Human Development:ANecessary Reconsideration of the Philosophical Hermeneutics of Heidegger and Gadamer．Man and World，24:409-426．

——．(1993a)．Mark Manders in Conversation with Jos deMul．In J．Brand，C．de Muynck，and Valerie Smith(eds．)，Sonsbeek'93，281-292．Gent，Belgium:Snoeck Ducaju＆Zoon．

——．(1993b)．Landschaft in sicht［Landscape in sight］．In F．-A．Hettig and Th．Meyers zu Slochteren(eds．)，Verwantschaften Düsseldorf/Rotterdam，Catalogue Kunsthal Rotterdam，12-35．Rotterdam:Rotterdamse Kunsistichting．

——．(1995)．Imagination without Strings:AVirtual Look in the Future of the Visual Arts．In Liubava Moreva and Igor Yevlampiev(eds．)，Paradigms of Philosophizing:Second International Conference on Philosophy and Culture，246-252．St．Petersburg，Russia: Eidos．

——．(1996a)．Poetafter theDeath of God．In I．van derCruysse and W．Shetter(eds．)，Contemporary Explorations in theCulture of the Low Countries，vol．9，49-68．Lanham，Md．:University Press of America．

——．(1996b)．Die FortgangüberKant．Dilthey and the Transformation of Transcendental Philosophy．In Dilthey-Jahrbuch für die Geisteswissenschaften，vol．10，80-103．

——．(1997a)．The Digitalization of the World View:The End of Photography and theReturn of the Aura．In A．W．Balkema and H．Slager(eds．)，ThePhotographicParadigm，Lier en Boog:Series of Philosophy of Art and Art Theory，vol．12，44-56．Amsterdam/Atlanta:Rodopi．

——．(1997b)．Aesthetic Development．In A．W．van Haaften，M．Korthals，and TWren(eds．)，Philosophy of Development: Reconstructing theFoundations of Human Developmentand Education，135-152．Dordrecht/Boston/London:Kluwer Academic Publishers．

——．(1997c)．Artistic Development．In A．W．van Haaften，M．Korthals，and T．Wren(eds．)，Philosophy of Development: Reconstructing the Foundations of Human Development and Education，183-198．Dordrecht/Boston/London:Kluwer Academic Publishers．

——．(1997d)．Structuralist and Hermeneutic Approaches to Development．In A．W．van Haaften，M．Korthals，and T．Wren(eds．)，Philosophy of Development:Reconstructing the Foundations of Human Development and Education，223-243．Dordrecht/Boston/ London:Kluwer Academic Publishers．

——．(1997e)．Networked Identities．In M．B．Roetto(ed．)，ISEA96 Proceedings:Seventh International Symposium on Electronic Art，11-16．Rotterdam:ISEA96 Foundation．

——．(1999)．The Informatization of the Worldview．Information，Communication

Society 2．1:604-629．

——．(2000)．TheTragedy of Finitude:Dilthey'sHermeneutics of Life．New Haven:Yale University Press(Originally published as De tragedie van de eindigheid．Dilthey's hermeneutiek van het leven，1993)．

De Mul，J．and M．Korthals．(1997)．Postmodernism and the Reconstruction of Developmental Theory．In A．W．van Haaften，M．Korthals，and T．Wren(eds．)，Philosophy of Development: Reconstructing the Foundations of Human Development and Education，245-260．Dordrecht:Kluwer Academic Publishers．

De Wilde，E．，et al．(1982)．'60'80:Attitudes/Concepts/Images．Amsterdam:Van Gennep．

Deleuze，G．(1983)．Nietzsche and Philosophy．New York:Columbia University Press(Originally published asNietzsche et la philosophie，1962)．

——．(1988)．Foucault．Minneapolis:University of Minnesota Press(Originally published as Foucault，1987)．

——．(1994)．Difference and Repetition．New York:Columbia University Press(Originally published asDifférence et répétition，1968)．

Derrida，J．(1976)．Of Grammatology．Baltimore:John Hopkins University Press(Originally published as De la grammatologie，1968)．

——．(1981)．Writing and Difference．London:Routledge＆Kegan Paul(Originally published ascriture et différence，1968)．

——．(1982a)．Margins of Philosophy．Chicago:University of Chicago Press(Originally published asMarges de la philosophie，1972)．

Dijksterhuis，E．J．(1964)．TheMechanization of theWorld Picture．Oxford:Clarendon Press．

Dilthey，W．(1914-1996)．GesammelteSchrifien［CollectedWritings］．Vols．1-12:Stuttgart:B．G．Teubner and G9ttingen:Vandenhoeck＆Ruprecht．Vols．13-21:G9ttingen:Vandenhoeck＆Ruprecht．

Dreyfuss，H．and P．Rabinow．(1983)．Michel Foucault:Beyond Structuralism and Hermeneutics．Chicago:University of Chicago Press．

Drijkoningen，Eand J．Fontijn(eds)．(1986)．Historische Avantgarde．Programmatische teksten van het Italiaans Futurisme，Dada，het Constructivisme，het Surrealisme en het Tsjechisch Po3tisme［Historical Avantgarde:Programmatic texts of Italian Futurism，Dada，Constructivism，Surrealism，and Czech Poetism］．Amsterdam: Huis aan de drie grachten．

Duintjer，O．D．(1988)．Rondom metafysica［Around Metaphysics］．Meppel/Amsterdam:Boom．

Eco，U．(1983)．Postscript to The Name of the Rose．San Diego: HarcourtBrace Jovanovich．

Ellenberger，H．F．(1970)．The Discovery of the Unconscious:The History and Evolution of Dynamic Psychiatry．New York:Basic Books．

Féher，F．(1987)．Der Pyrrhussieg der Kunst im Kampf um ihre Befreiung．Bemerkungen zum postmodernen Intermezzo［Phyrrhic Victory of Art in the Battle for Its Liberation:Notes on the Postmodern Intermezzo］．In Bürger and Bürger(eds．)，Postmoderne: Alltag，Allegorie und Avantgarde，13-33．Frankfurt am Main: Suhrkamp．

Fink，E．(1960)．Nietzsches Philosophie［Nietzsche's Philosophy］．Stuttgart，Germany:Kohlhammer．

Finkielkraut，A．(1995)．The Defeat of the Mind．New York: Columbia University Press(Originally published as La défaite de la pensée，1987．

Foucault，M．(1964)．La folie，l'absence de l'oeuvre［Madness，Absence of Oeuvre］．La table ronde196:11-21．

——．(1974)．The Order of Things．London:Tavistock Publications(Originally published as Lesmots et les choses，1966)．

——．(1977)．Discipline and Punish．London:Allen Lane(Originally published as Surveiller et punir，1975)．

——．(1982)．The Subject and Power．In H．L．Dreyfus and P．Rabinow(eds．)，Michel Foucault:Beyond Hermeneutics and Structuralism，208-216．Chicago:University of Chicago Press．

——．(1983)．This IsNota Pipe．Berkeley/LosAngeles:University of California Press(Originally published as Ceci n'est pas une pipe，1973)．

——．(1984a)．The History of Sexuality，vol．1．Harmondsworth，United Kingdom:Penguin(Originally published as Histoire de la sexualitéI，1976)．

——．(1984b)．“What Is Enlightenment?”In The Foucault Reader，ed．P．Rabinow，32-50．New York:Pantheon Books，1984．

Frank，M．(1980)．Das Sagbare und das Unsagbare．Studien zur neuesten franz9sischen Hermeneutik und Texttheorie［The Speakable and the Unspeakable:Studies on the Newest French Hermeneutics and Theory of Texts］．Frankfurt am Main:Suhrkamp．

——．(1984)．Was istNeostrukturalismus?［What Is Neostructuralism?］．Frankfurt am Main:Suhrkamp．

Freud，S．The Standard Edition of the Complete PsychologicalWorks of Sigmund Freud(24 vols．)．London:Hogarth Press and the Institute of Psychoanalysis，1953-1974．

Furst，L．R．(1984)．Fictions of Romantic Irony in European Narrative，1760-1857．London:Macmillan．

Gachnang，J．and S．Gohr(eds．)．(1989)．Bilderstreit．Widerspruch，Einheit und Fragment in der Kunst seit1960［The Battle of Images: Contradiction，Unity，and Fragment in Art since 1960］．Cologne: DuMont．

——．(1986)．Wahrheit und Methode．Erg－nzungen，Gesammelte Werke II．Tübingen，Germany:J．C．B．Mohr(Paul Siebeck)．

Gombrich，E．H．(1969)．Art and Illusion．Princeton:Princeton University Press．

Goth，J．(1970)．Nietzscheund dieRhetorik［Nietzsche and Rhetoric］．Tübingen，Germany:M．Niemeyer．

Greenberg，C．(1993)．Modernist Painting．In The Collected Essays and Criticism，vol．4:Modernism with a Vengeance，1957-1969，85-93．Chicago:University of Chicago Press．

Griffith，P．(1981)．Cage．Oxford Studies of Composers，vol．18．London/New York:Oxford University Press．

Haase，R．(1963)．Leibniz und dieMusik:Ein Beitrag zur Geschichte der harmonikalen Symbolik［Leibniz and Music:Contribution to History of Harmonic Symbolism］．Hommerich，Germany:Eckhardt．

Habermas，J．(1973)．Legitimationsprobleme im Sp－tkapitalismus［Problems of Legitimation in Late Capitalism］．Frankfurt am Main: Suhrkamp．

——．(1978)．Politik，Kunst，Religion．Essaysüber zeitgen9ssische Philosophen［Politics，Art，Religion:Essays on Contemporary Philosophers］．Stuttgart，Germany:Philipp Reclam．

——．(1983)．Rekonstruktive vs．verstehende Sozialwissenschaften［Reconstructive vs．Understanding Social Sciences］．In J．Habermas，Moralbewuβtsein und kommunikativesHandeln［Moral Consciousness and Communicative Action］．Frankfurt am Main:Suhrkamp．

——．(1984)．Theory of Communicative Action，vol．1．Boston: Beacon Press(Original published as Theorie des kommunikatives Handelns，I，1981)．

——．(1985)．Der philosophischeDiskurs derModerne［The Philosophical Discourse of Modernity］．Frankfurt am Main:Suhrkamp．

——．(1987)．Theory of Communicative Action，vol．2．Boston: Beacon Press(Originally published as Theorie des kommunikatives Handelns，II，1981)．

——．(1996)．Modernity:An Unfinished Project．In M．Maurizio Passerin d'Entrèves and Seyla Benhabib(eds．)，Habermas and the Unfinished Project of Modernity:CriticalEssayson The Philosophical Discourse of Modernity，38-55．Cambridge:Polity Press．

Harpold，T．(1994)．“Conclusions．”In George P．Landow(ed．)，Hyper/text/theory，189-222．Baltimore:John Hopkins University Press．

Hassan，I．(1987)．The Postmodern Turn:Essays in Postmodern Theory and Culture．Columbus:Ohio State University Press．

Hegel，G．W．E(1955)．sthetik［Aesthetics］．Ed．by F．Bassenge．Berlin:Aufbau Verlag．

——．(1970)．Enzyklop－die der philosophischen Wissenschaften［Encyclopedia of Philosophical Sciences］．In Werke［Works］(Eds．E．Moldenhauer and K．M．Michel)，vols．8-10．Frankfurt am Main:Suhrkamp．

Heidegger，M．(1949)．“H9lderlin and the Essence of Poetry．”In M．Heidegger，Existence and Being．Chicago:Henry Regnery Company．(Originally published as“Erl－uterungen zu H9lderlins Dichtung，”1944)．

——．(1958)．Introduction to Metaphysics．New Haven:Yale University Press(Originally published as Einführung in die Metaphysik，1953)．

——．(1960)．Essays in Metaphysics:Identity and Difference．New York:Philosophical Library(Originally published as Identit－t und Differenz，1957)．

——．(1962)．Being and Time．Oxford:Basil Blackwell(Originally published as Sein und Zeit，1927)．

——．(1962)．Kant and the Problem of Metaphysics．Bloomington: University of Indiana Press(Originally published as Kant und das Problem derMetaphysik，1929)．

——．(1967)．Vortr－ge und Aufs－tze，3 vols．［Lectures and Essays］．Pfullingen:Neske．

——．(1969)．The Essence of Reasons．Evanston，Ill．:Northwestern University Press(Originally published as Vom Wesen des Grundes，1929)．

——．(1971)．On theWay to Language．New York:Harper＆Row(Originally published asUnterwegs zur Sprache，1959)．

——．(1974)．Preface．In S．J．Richardson，Heidegger:Through Phenomenology to Thought．The Hague:MartinusNijh of f．

——．(1975)．Language．In M．Heidegger，Poetry，Language，Thought，187-210．New York:Harper＆Row(Originally published as“Die Sprache，”1950)．

——．(1976)．Wegmarken［Road-signs］．Gesamtausgabe，vol．9．Frankfurt am Main:Klostermann．

——．(1976)．Vom Wesen desGrundes［The Essence of Reason］．In Wegmarken．Gesamtausgabe，vol．9，123-175．Frankfurt am Main: Klostermann．

——．(1977)．Holzwege［Forest-roads］．Gesamtausgabe，vol．5．Frankfurt am Main:Klostermann．

——．(1977)．DieZeit desWeltbildes［The Age of theWorldview］．In M．Heidegger，Holzwege［Forest-Roads］，Gesamtausgabe，vol．5，75-113．Frankfurt am Main:Klostermann．

——．(1977)．Vier Seminare［Four Seminars］．Frankfurt am Main: Klostermann．

——．(1978)．What Is Metaphysics?In M．Heidegger，Basic Writings，91-112．London:Routledge＆Kegan Paul(Originally published as“Was istMetaphysik?，”1930)．

——．(1978)．TheOrigin of theWork of Art．In M．Heidegger，Basic Writings，143-187．London:Routledge＆Kegan Paul(Originally published as“DerUrsprung desKunstwerkes”in Holzwege，1950)．

——．(1978)．Letter on Humanism．In M．Heidegger，Basic Writings，189-242．London:Routledge＆Kegan Paul(Originally published as“Briefüber den‘Humanismus’，”1947)．

——．(1978)．TheQuestion Concerning Technology．InM．Heidegger，Basic Writings，283-317．London:Routledge＆Kegan Paul(Originally published as“Die Technik und die Kehre，”1962)．

——．(1978)．Building Dwelling Thinking．In M．Heidegger，Basic Writings，319-339．London:Routledge＆Kegan Paul(Originally published as“Bauen Wohnen Denken，”in Vortr－ge und Aufs－tze，1954)．

——．(1978)．What Calls for Thinking?In M．Heidegger，Basic Writings，91-112．London:Routledge＆Kegan Paul(Originally published as“Was heisstDenken?”1954)．

——．(1983)．Die Selbstbehauptung der deutschen Universit－t/das Rektorat 1933/1934［Self-Maintenance of the German University/ Rectorate 1933/1934］．Frankfurt am Main:Klostermann．

——．(1989)．Beitr－ge．Zur Philosophie［Contributions．On Philosophy］，Gesamtausgabe，vol．65．Frankfurt am Main:Klostermann．

——．(1991)．The Principle of Reason．Bloomington/Indianapolis: Indiana University Press(Originally published as Der Satz vom Grund，1957)．

——．(1991)．Nietzsche，2 vols．San Francisco:Harper San Francisco(Originally published asNietzsche，1961)．

Heim，M．(1993)．The Metaphysics of Virtual Reality．New York: Oxford University Press．

Henry，A．(1971)．Métonymie et métaphore［Metonym and Metaphor］．Paris:Bibliothèque fran9aise et romane．

Horkheimer，M．(1988)．Neue Kunst und Massenkultur［New Music and Mass Culture］．In Gesammelte Schrifien［Collected Writings］，vol．4，419-438．Frankfurt am Main:Fischer Taschenbuch Verlag．

Horkheimer，M．and Th．W．Adorno．(1973)．Dialectic of Enlightenment．Norfolk:Lowe＆Brydone(Originally published as Dialektik der Aufkl－rung，1947)．

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