英文摘要 Executive Summaries SEPTEMBER 2015
SPOTLIGHT
ON THE EVOLUTION OF DESIGN THINKING
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Design
thinking isn't just for product developers anymore. The approach is
being used to support change management, strategic reinvention, and
complex problem solving at the highest levels.
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CHANGE MANAGEMENT
Design for Action
Tim Brown and Roger Martin
CEver since it became clear that smart design led to the success of many
products, companies have been employing it in other areas, from customer experiences,
to strategy, to business ecosystems. But as design is used in increasingly complex
contexts, a new hurdle has emerged: gaining acceptance of the "designed artifact"
into the status quo. In fact, the more innovative a new design is, the more
resistance it's likely to meet. The solution, say the CEO of IDEO and the Rotman
School's former dean, is to also apply design thinking to the introduction of
the innovation itself.
This process, intervention design, grew organically out of the iterative
prototyping that designers did to help understand customers' reactions to new
products. Not only did iterative prototyping create better offerings, but it
was a great way to get organizational funding and commitment, because it improved
the chances of success and reduced fear of the unknown. Intervention design
uses iterative prototyping to get buy-in too, but extends it to interactions
with all the principal stakeholders—not just customers.
When Intercorp Group devised a revolutionary concept for Peru's schools,
it needed to win acceptance for corporate-run education and for a very different
role for teachers. Thanks to intervention design, it now has 29 schools in operation
and is rapidly growing.
HBR Reprint R1509C
ORGANIZATIONAL CULTURE
Design Thinking Comes of Age
Jon Kolko
In large organizations, design is moving closer to the center of the enterprise.
This shift isn't about aesthetics and product development, however. It's about
imparting the principles of design collectively known as design thinking—throughout
the organization. The approach is in large part a response to the complexity
of many products, services, and processes. People need help—they need their
interactions with technologies and other complicated systems to be intuitive
and pleasurable.
Design thinking is an essential tool for simplifying and humanizing. The
principles include a focus on users' experiences, especially their emotional
ones; the creation of physical models, such as diagrams and sketches, to explore
problems; the use of prototypes to experiment with solutions; a tolerance for
failure; and thoughtful restraint in product features so that even a complex
piece of technology can be easy to use.
Creating a design-centric culture requires understanding that the returns
on an investment in design are difficult to quantify, allowing people to take
chances, and appreciating what design can and cannot achieve. Design helps people
and organizations cut through complexity and imagine the future, but it doesn't
solve all problems.
HBR Reprint R1509D
INNOVATION
How Samsung Became a Design Powerhouse
Youngjin Yoo and Kyungmook Kim
Until 20 years ago, South Korea's Samsung Electronics manufactured inexpensive,
imitative electronics for other companies. Its leaders valued speed, scale,
and reliability above all. The few designers working for the company were dispersed
in engineering and new-product units, and they had little status in an organization
that emphasized efficiency and engineering rigor.
Then, in 1996, Lee Kun-Hee, the chair of Samsung Group, grew frustrated by
the company's lack of innovation and concluded that in order to become a top
brand, Samsung needed expertise in design, which he believed would become "the
ultimate battleground for global competition in the 21st century." He set out
to create a design-focused culture that would support world-class innovation.
But shifting to an innovationfocused culture without losing an engineering
edge is not a simple matter. It involves managing a number of very real tensions.
Samsung's success in making this shift stems from a single early decision—to
build design competency in-house rather than import it. The authors describe
how the company created a committed, resourceful corps of designers who overcame
internal resistance by deploying the same tools they use in pursuing innovation:
empathy, visualization, and experimentation in the marketplace.
HBR Reprint R1509E