1.17 图片来源

图片来源

Nicolas de Fer. Map of Paris. 1694. Detail. Private collection. Author’s photo.

Sébastien Le Clerc. “Lifting of the Louvre’s Pediment Stones.” Engraving. 1677. Musée Carnavalet. Photo: Gérard Leyris.

Georg Braun. Map of Paris. 1572. Detail. Collection of Jack and Barbara Sosiak.

Bretez-Turgot. Map of Paris. 1734—1739. Detail. University of Pennsylvania. Van Pelt Library.

“Le Pont Neuf.” Anonymous painting. c. 1665. Detail. Musée Carnavalet. Photo: Gérard Leyris.

Hendrick Mommers. “Le Pont Neuf.” c. 1665. Detail. Musée du Louvre.

“Le Pont Neuf vu de la Place Dauphine.” Anonymous painting. c. 1635. Detail. Musée Carnavalet. Photo: Gérard Leyris.

Nicolas Guérard. “Le Pont Neuf: L’Embarras de Paris.” Engraving. Early eighteenth century. Musée Carnavalet. Photo: Gérard Leyris.

Hendrick Mommers. “Le Pont Neuf.” c. 1665. Detail. Musée du Louvre.

Henri Bonnart. “Cavalier en manteau.” Engraving. c. 1685. Author’s collection.

“Le Pont Neuf vu de la Place Dauphine.” Anonymous painting. c. 1635. Detail. Musée Carnavalet. Photo: Gérard Leyris.

Hendrick Mommers. “Le Pont Neuf.” c. 1665. Musée du Louvre.

“Le Pont Neuf.” Fan. Mid-eighteenth century. Musée Carnavalet. Author’s photo.

Abbé Delagrive. Map of Paris. 1728. Detail. Author’s collection.

Claude Chastillon. “Carrousel de la Place Royale, 1612.” Engraving. 1612. Musée Carnavalet. Photo: Gérard Leyris.

Perelle family (Nicolas, Gabriel, Adam). “La Place Royale.” Engraving. Seventeenth century. Private collection.

“La Place royale.” Anonymous painting. 1655—1660. Musée Carnavalet. Photo: Gérard Leyris.

“La Place royale.” Anonymous painting. 1655—1660. Detail. Musée Carnavalet. Photo: Gérard Leyris.

Vassalieu. Map of Paris. 1609. Detail. Adolphe Alphand. Atlas des anciens plans de Paris reproduits en fac-simile. University of Pennsylvania. Van Pelt Library.

Mathieu Mérian. Map of Paris. 1614. Detail. Adolphe Alphand. Atlas des anciens plans de Paris reproduits en fac- simile. University of Pennsylvania. Van Pelt Library.

Jean Messager. “Le Plan de l’île et le pourtrait du Pont.” 1614 or 1615. Adolphe Alphand. Atlas des anciens plans de Paris reproduits en fac- simile. University of Pennsylvania. Van Pelt Library.

Abbé Delagrive. Map of Paris. 1728. Detail. Author’s collection.

Bretez-Turgot. Map of Paris. 1734—1739. Detail. University of Pennsylvania. Van Pelt Library.

“Vue cavalière de Paris avec le portrait de Pépin des Essarts.” Anonymous painting. c. 1640. Detail. Musée Carnavalet. Photo: Gérard Leyris.

Bretez-Turgot. Map of Paris. 1734—1739. Detail. University of Kansas. Spencer Libraries.

“Barricades à la Porte Saint- Antoine.” Anonymous engraving. 1648. Private collection.

“Avis que donne un frondeur aux Parisiens qu’il exhorte de se révolter contre la tyrannie du Cardinal Mazarin.” Anonymous engraving. 1649. Private collection.

Print shop of Pierre Bertrand. “La Marche de Louis XIV, roi de France et de Navarre.” Engraving. 1649. Private collection.

“Salut de la France dans les armes de la ville de Paris.” Anonymous placard. 1649. Private collection.

Hendrick Mommers. “Le Pont Neuf.” c. 1665. Detail. Musée du Louvre.

“Dialogue entre le roi de bronze et la Samaritaine.” Anonymous pamphlet. 1649. University of Pennsylvania. Van Pelt Library. Rare Books and Special Collections.

Nicolas de Larmessin. “L’Entrée du roi et de la reine dans la bonne ville de Paris le 26 août, 1660.” Almanach pour 1661. Private collection.

Georg Braun. Map of Paris. 1572. Detail. Collection of Jack and Barbara Sosiak.

Pierre Bullet and François Blondel. Map of Paris. 1676. Detail. Adolphe Alphand. Atlas des anciens plans de Paris reproduits en facsimile. University of Pennsylvania. Van Pelt Library.

Pierre Bullet and François Blondel. Map of Paris. 1676. Adolphe Alphand. Atlas des anciens plans de Paris reproduits en facsimile. University of Pennsylvania. Van Pelt Library.

Abbé Delagrive. Map of Paris. 1728. Detail. Author’s collection.

Perelle family (Nicolas, Gabriel, Adam). “View of the Tuileries Gardens as They Are Now.” Engraving. c. 1670. Private collection.

Nicolas Arnoult. “Noblewoman in the Tuileries.” Engraving. 1687. Author’s collection.

Nicolas Bonnart. “Ladies in Conversation in the Tuileries.” Engraving. c. 1690. Musée Carnavalet. Photo: Gérard Leyris.

“Le Pont Neuf.” Anonymous painting. c. 1665. Detail. Musée Carnavalet. Photo: Gérard Leyris.

Poster advertising the inauguration of the third public carriage route. Paris. Bibliothèque de l’Arsenal.

Nicolas Guérard fi ls. “La Sonnette a sonné, abaisse la lanterne.” Engraving. Late seventeenth century. Musée Carnavalet. Photo: Gérard Leyris.

Nicolas Guérard fi ls. “Voleur de nuit est pris au trebuchet quand à ses trousses il a le guet.” Engraving. Late seventeenth century. Musée Carnavalet. Photo: Gérard Leyris.

Frontispiece. Louis de Mailly. Entretiens des cafés de Paris. Trévoux: E. Ganeau. 1702. Anonymous engraving. Bibliothèque de l’histoire de la ville de Paris. Photo: Gérard Leyris.

Hérisset. “Lampe pour éclairer une ville.” Engraving. 1703. Private collection.

Nicolas Guérard fils. “Street Peddlers in Paris.” Engraving. Late seventeenth century. Musée Carnavalet. Photo: Gérard Leyris.

“Le Pont Neuf.” Anonymous painting. c. 1665. Detail. Musée Carnavalet. Photo: Gérard Leyris.

“La Galerie du Palais.” Anonymous engraving. c. 1640. Musée Carnavalet. Photo: Gérard Leyris.

Jean Berain (drawing). Jean Le Pautre (engraving). “Habit d’hiver.” Le Mercure galant. January 1678. Photograph by Patrick Lorette for Joan DeJean.

Jean Berain (drawing). Jean Le Pautre (engraving). Le Mercure galant. January 1678. Photograph by Patrick Lorette for Joan DeJean.

Alexandre Le Roux. “Le Cordonnier.” Engraving. c. 1685. Musée Carnavalet. Photo: Gérard Leyris.

Nicolas de Larmessin. “La Coifeuse.” Engraving. c. 1685. Photograph by Patrick Lorette for Joan DeJean.

Enseigne for Jean Magoulet. Etching and engraving. c. 1690. Waddesdon Manor, The Rothschild Collection (The National Trust). Photograph: University of Central England.

“Agneau couronné.” Trade card for Beguet and Serire, furriers. Late seventeenth century. Author’s collection.

Nicolas Guérard fi ls. “Puisqu’on affiche tout dans le temps où nous sommes.” Engraving. Late seventeenth century. Musée Carnavalet. Photo: Gérard Leyris.

Jean Marot. “Hôtel La Vrillière by François Mansart.” Engraving. Late seventeenth century. Musée Carnavalet. Photo: Gérard Leyris.

Perelle family (Nicolas, Gabriel, Adam). “La Place Louis-le-Grand.” Engraving. Late seventeenth century. Private collection.

V. Antier. “La Place Louis-le-Grand en 1705.” Gouache. Musée Carnavalet. Photo: Gérard Leyris.

Alexandre Le Roux. “Distribution du pain.” Engraving. 1693. Private collection.

Henri Bonnart. “Le Financier.” Engraving. 1678. Author’s collection.

Hendrick Mommers. “Le Pont Neuf.” c. 1665. Detail. Musée du Louvre.

“La Galerie du Palais.” Anonymous engraving. c. 1640. Musée Carnavalet. Photo: Gérard Leyris.

Jean Dieu de Saint-Jean and Frantz Ertinger. “Homme de qualité allant incognito par la ville.” Engraving. 1689. Private collection.

Jean Dieu de Saint-Jean and Frantz Ertinger. “Femme de qualité allant incognito par la ville.” Engraving. 1689. Musée Carnavalet. Photo: Gérard Leyris.

Jean Dieu de Saint-Jean. “Dame allant par la ville.” Detail. Private collection.

Nicolas de Larmessin. “Les Amants dupés par la malice des fi lles.” Engraving. c. 1685. Author’s collection.

Henri Bonnart. “Medemoiselles Loison Walking in the Tuileries.” Engraving. c. 1690. Photograph by Patrick Lorette for Joan DeJean.

Georg Braun. Map of Paris. 1572. Collection of Jack and Barbara Sosiak.

Georg Braun. Map of Paris. 1572. Detail. Collection of Jack and Barbara Sosiak.

“Henri IV devant Paris.” Anonymous painting. c. 1600. Musée Carnavalet. Photo: Gérard Leyris.

Pierre Bullet and François Blondel. Map of Paris. 1676. Detail. Adolphe Alphand. Atlas des anciens plans de Paris reproduits en facsimile. University of Pennsylvania. Van Pelt Library.

“Marché à la volaille et au pain, Quai des Augustins.” Fan. c. 1680. Musée Carnavalet. Author’s photograph.

Jean Dieu de Saint- Jean. “Homme de qualité sur le théâtre de l’Opéra.” Engraving. 1687. Author’s collection.