基础英语

吴雪松

目录

  • 1 第一单元
    • 1.1 第一课时
    • 1.2 第二课时
    • 1.3 第三课时
    • 1.4 第四课时
    • 1.5 第五课时
    • 1.6 第六课时
  • 2 第二单元
    • 2.1 第一课时
    • 2.2 第二课时
    • 2.3 第三课时
    • 2.4 第四课时
    • 2.5 第五课时
    • 2.6 第六课时
  • 3 第三单元
    • 3.1 第一课时
    • 3.2 第二课时
    • 3.3 第三课时
    • 3.4 第四课时
    • 3.5 第五课时
    • 3.6 第六课时
  • 4 第四单元
    • 4.1 第一课时
    • 4.2 第二课时
    • 4.3 第三课时
    • 4.4 第四课时
    • 4.5 第五课时
    • 4.6 第六课时
  • 5 第五单元
    • 5.1 第一课时
    • 5.2 第二课时
    • 5.3 第三课时
    • 5.4 第四课时
    • 5.5 第五课时
    • 5.6 第六课时
  • 6 第六单元
    • 6.1 第一课时
    • 6.2 第二课时
    • 6.3 第三课时
    • 6.4 第四课时
    • 6.5 第五课时
    • 6.6 第六课时
  • 7 第七单元
    • 7.1 第一课时
    • 7.2 第二课时
    • 7.3 第三课时
    • 7.4 第四课时
    • 7.5 第五课时
    • 7.6 第六课时
  • 8 第八单元
    • 8.1 第一课时
    • 8.2 第二课时
    • 8.3 第三课时
    • 8.4 第四课时
    • 8.5 第五课时
    • 8.6 第六课时
  • 9 第九单元
    • 9.1 第一课时
    • 9.2 第二课时
    • 9.3 第三课时
    • 9.4 第四课时
    • 9.5 第五课时
    • 9.6 第六课时
第一课时


Unit 8 Knowledge and Wisdom


SectionOne Pre-reading Activities

I. Audiovisual Supplement

Watch the video clip and answer the followingquestions.

 

 

Script:

Betty Warren: What is that?

Katherine Watson: You tell me. Carcass by Soutine. 1925.

An anonymous student: It is not on the syllabus.

Katherine:No, it’s not. Is it any good? En? Come on, ladies! There is no wrong answer. Thereis also no textbook telling you what to think. It’s not that easy, is it?

Betty: All right. No. it is not good. In fact, Iwouldn’t even call it art. It’s grotesque.

Connie Baker: Is there a rule against being grotesque?

Giselle Levy: I think there is something aggressive aboutit. And erotic.

Betty: To you, everything is erotic.

Giselle : And everything is erotic.

Katherine: Girls.

The anonymous student: Aren’t there standards?

Betty: Of course there are. Otherwise a tacky velvetpainting could be equated to Rembrandt.

Connie: My uncle Firdie has two tacky velvetpaintings. He loves those clones.

Betty: Thereare standards, technique, composition, color, even subjects. So if you’resuggesting that rotted side of meat is art, much less good art. What are wegoing to learn?

Katherine: Justthat. You have outlined our new syllabus, Betty. Thank you. What is art? Whatmakes it good or bad? And who decides? Next slide, please. Twenty-five yearsago, someone thought this was brilliant.

Connie: I can see that.

Betty: Who?

Katherine: My mother, I painted it for her birthday. Nextslide. This is my Mum. Is it art?

The anonymous student: It is a snapshot.

Katherine: If I told you Ansel Adams had taken it,would that make a difference?

Betty: Art isn’t art until someone says it is.

Katherine: It’s art!

Betty: The right people.

Katherine: Who are they?

Giselle: Betty Warren. We are so lucky we have oneright here.

Betty: Screw you.

Katherine: Could you go back to the Soutine please?

 

Questions:

1. Why doesthe teacher include a painting which is not on their syllabus?

Answer: She wants to teach her students how to thinkindependently.

2. Whatis the new syllabus for their art of history class?

Answer: The new syllabus will be about what art is,what makes it good or bad, and who decides.

 

II. Cultural Background

Critical Thinking  

l  Numerous studiesof college classrooms reveal that, rather than actively involving our studentsin learning, we lecture, even though lectures are not nearly as effective asother means for developing cognitive skills.

l  Criticalthinking – the capacity to evaluate skillfully and fairly the quality ofevidence and detect error, hypocrisy, manipulation, dissembling, and bias – iscentral to both personal success and national needs.

l The teacher who fosters critical thinking fostersreflectiveness in students by asking questions that stimulate thinkingessential to the construction of knowledge.