目录

  • 1 American Literature - Learning Sources
    • 1.1 American Passage: A Literary Survey
    • 1.2 American Literature- NYU
    • 1.3 TTC Classics of American Literature
    • 1.4 American Novel Since 1945-Yale
    • 1.5 Heath Anthology of American Literature
    • 1.6 PAL:Perspectives in American Literature
    • 1.7 TGC Literature&Life
    • 1.8 Introduction to Literature and Life- Yale
    • 1.9 Music Videos
  • 2 Native American Literature
    • 2.1 Overview
    • 2.2 Oral Tradition-Navajo Songs
    • 2.3 Native American Renaissance
    • 2.4 Native Voices -Timeline
    • 2.5 References
  • 3 Puritan Literature(1620-1763)
    • 3.1 Overview
    • 3.2 Puritanism in American Life
    • 3.3 Anne Bradstreet (1612-1672)
    • 3.4 Jonathan Edwards (1703-1758)
  • 4 Enlightenment Literature (1764-1815)
    • 4.1 Overview
    • 4.2 Benjamin Franklin(1706-1790)
    • 4.3 Thomas Paine (1737-1809)
    • 4.4 Thomas Jefferson (1743-1826)
    • 4.5 Alexander Hamilton (1757-1804)
  • 5 American Romanticism (1815-1865)
    • 5.1 Overview
    • 5.2 American Romanticism vs. British Romanticism
    • 5.3 Washington Irving(1783-1859)
    • 5.4 James Fenimore Cooper
    • 5.5 Edgar Allan Poe (1809-1849)
      • 5.5.1 The Cask of Amontillado
      • 5.5.2 Annabel Lee
      • 5.5.3 The Raven
    • 5.6 Emerson, Thoreau and Transcendentalism
      • 5.6.1 American Transcendentalism
      • 5.6.2 Ralph Waldo Emerson (1803-1882)
        • 5.6.2.1 Self-Reliance
      • 5.6.3 Henry David Thoreau (1817-1862)
    • 5.7 Nathaniel Hawthorne (1804-1864)
      • 5.7.1 The Scarlet Letter
    • 5.8 Herman Melville
      • 5.8.1 Moby Dick - Chapter 41
    • 5.9 Walt Whitman and Emily Dickinson
      • 5.9.1 Free Verse
      • 5.9.2 Song of Myself by Whitman
      • 5.9.3 Oh Me Oh Life- Whitman in Dead Poets' Society
      • 5.9.4 I Dwell in Possibility - Dickinson
      • 5.9.5 “I Died for Beauty - but was scare” - Dickinson
    • 5.10 References
  • 6 American Realism (1865-1914)
    • 6.1 Overview
    • 6.2 William Dean Howells
    • 6.3 Local Colorism
      • 6.3.1 Mark Twain
        • 6.3.1.1 The Celebrated Jumping Frog of Calaveras County
        • 6.3.1.2 The Adventures of Huckleberry Finn
    • 6.4 Henry James & Psychological realism
    • 6.5 Stephen Crane and Naturalism
    • 6.6 References
  • 7 American Modernism(1915-1945)
    • 7.1 The Imagist Movement
      • 7.1.1 Ezra Pound
      • 7.1.2 William Carlos Williams (1883-1963)
    • 7.2 The Lost Generation Writers
      • 7.2.1 F.Scott Fitzgerald(1896-1940)
      • 7.2.2 Earnest Hemingway(1899-1961)
    • 7.3 William Faulkner (1897-1962)
    • 7.4 Trifles (1916) by Susan Glaspell
    • 7.5 Eugene O’Neill
    • 7.6 Tennessee Williams
    • 7.7 Arthur Miller
  • 8 American Postmodernism (1945-)
    • 8.1 Ovewview
    • 8.2 The Beat Generation
    • 8.3 Black Humor - Joseph Heller
    • 8.4 African American Literature
    • 8.5 Chinese American Literature
    • 8.6 References
Black Humor - Joseph Heller


Joseph Heller (1923–1999)

Joseph Heller was an American novelist and playwright best known for his satirical war novel *Catch-22* (1961). Born in Brooklyn, New York, Heller served as a bombardier in World War II, an experience that heavily influenced his writing. His works often explore the absurdity of bureaucracy, the futility of war, and the irrationality of modern life through dark humor and irony.

Catch-22 (1961)

*Catch-22* is a satirical anti-war novel set during World War II, following Captain John Yossarian, a U.S. Army Air Forces bombardier trying to survive the madness of war. The term "Catch-22" refers to a paradoxical military rule: A soldier can be declared insane and thus unfit to fly dangerous missions—but requesting to be grounded for insanity proves sanity, meaning the request is denied. The novel critiques the illogical and dehumanizing nature of war, military bureaucracy, and capitalist greed.

Black Humor 

Black humor is a literary and comedic style that finds humor in bleak, tragic, or absurd situations—often involving death, war, or existential despair. It uses irony, satire, and grotesque exaggeration to highlight the irrationality of life. In *Catch-22*, Heller employs black humor to expose the horrors of war through absurdity, making the reader laugh while confronting disturbing truths.


Selected Reading: pp.312-320.