目录

  • 1 American Literature - Learning Sources
    • 1.1 American Passage: A Literary Survey
    • 1.2 American Literature- NYU
    • 1.3 TTC Classics of American Literature
    • 1.4 American Novel Since 1945-Yale
    • 1.5 Heath Anthology of American Literature
    • 1.6 PAL:Perspectives in American Literature
    • 1.7 TGC Literature&Life
    • 1.8 Introduction to Literature and Life- Yale
    • 1.9 Music Videos
  • 2 Native American Literature
    • 2.1 Overview
    • 2.2 Oral Tradition-Navajo Songs
    • 2.3 Native American Renaissance
    • 2.4 Native Voices -Timeline
    • 2.5 References
  • 3 Puritan Literature(1620-1763)
    • 3.1 Overview
    • 3.2 Puritanism in American Life
    • 3.3 Anne Bradstreet (1612-1672)
    • 3.4 Jonathan Edwards (1703-1758)
  • 4 Enlightenment Literature (1764-1815)
    • 4.1 Overview
    • 4.2 Benjamin Franklin(1706-1790)
    • 4.3 Thomas Paine (1737-1809)
    • 4.4 Thomas Jefferson (1743-1826)
    • 4.5 Alexander Hamilton (1757-1804)
  • 5 American Romanticism (1815-1865)
    • 5.1 Overview
    • 5.2 American Romanticism vs. British Romanticism
    • 5.3 Washington Irving(1783-1859)
    • 5.4 James Fenimore Cooper
    • 5.5 Edgar Allan Poe (1809-1849)
      • 5.5.1 The Cask of Amontillado
      • 5.5.2 Annabel Lee
      • 5.5.3 The Raven
    • 5.6 Emerson, Thoreau and Transcendentalism
      • 5.6.1 American Transcendentalism
      • 5.6.2 Ralph Waldo Emerson (1803-1882)
        • 5.6.2.1 Self-Reliance
      • 5.6.3 Henry David Thoreau (1817-1862)
    • 5.7 Nathaniel Hawthorne (1804-1864)
      • 5.7.1 The Scarlet Letter
    • 5.8 Herman Melville
      • 5.8.1 Moby Dick - Chapter 41
    • 5.9 Walt Whitman and Emily Dickinson
      • 5.9.1 Free Verse
      • 5.9.2 Song of Myself by Whitman
      • 5.9.3 Oh Me Oh Life- Whitman in Dead Poets' Society
      • 5.9.4 I Dwell in Possibility - Dickinson
      • 5.9.5 “I Died for Beauty - but was scare” - Dickinson
    • 5.10 References
  • 6 American Realism (1865-1914)
    • 6.1 Overview
    • 6.2 William Dean Howells
    • 6.3 Local Colorism
      • 6.3.1 Mark Twain
        • 6.3.1.1 The Celebrated Jumping Frog of Calaveras County
        • 6.3.1.2 The Adventures of Huckleberry Finn
    • 6.4 Henry James & Psychological realism
    • 6.5 Stephen Crane and Naturalism
    • 6.6 References
  • 7 American Modernism(1915-1945)
    • 7.1 The Imagist Movement
      • 7.1.1 Ezra Pound
      • 7.1.2 William Carlos Williams (1883-1963)
    • 7.2 The Lost Generation Writers
      • 7.2.1 F.Scott Fitzgerald(1896-1940)
      • 7.2.2 Earnest Hemingway(1899-1961)
    • 7.3 William Faulkner (1897-1962)
    • 7.4 Trifles (1916) by Susan Glaspell
    • 7.5 Eugene O’Neill
    • 7.6 Tennessee Williams
    • 7.7 Arthur Miller
  • 8 American Postmodernism (1945-)
    • 8.1 Ovewview
    • 8.2 The Beat Generation
    • 8.3 Black Humor - Joseph Heller
    • 8.4 African American Literature
    • 8.5 Chinese American Literature
    • 8.6 References
Eugene O’Neill

Eugene O'Neill (1888–1953)


There is no present or future-only the past, happening over and over again-now. - Eugene O'Neill


Full Name: Eugene Gladstone O’Neill  

Born:October 16, 1888, New York City, U.S.  

Died: November 27, 1953, Boston, Massachusetts, U.S.  

Occupation: Playwright  

Notable Awards: Nobel Prize in Literature (1936), Four Pulitzer Prizes for Drama  


Early Life

Eugene O’Neill was born into a theatrical family—his father, James O’Neill, was a famous actor known for his role in *The Count of Monte Cristo*. Despite this, O’Neill’s early life was marked by instability, including struggles with alcoholism, depression, and tuberculosis. He briefly attended Princeton University but dropped out, later working as a sailor and spending time in Buenos Aires and New York’s waterfront bars, experiences that deeply influenced his writing.  


Literary Career

O’Neill is considered America’s greatest playwright and a pioneer of modern American drama. His works introduced psychological depth, tragic realism, and experimental techniques to the American stage.  


Major Plays:

- **Beyond the Horizon (1920)** – Won his first Pulitzer Prize, marking his breakthrough.  

- **The Emperor Jones (1920)** – Used expressionistic techniques to explore power and madness.  

- **Anna Christie (1922)** – Won his second Pulitzer, dealing with redemption and family conflict.  

- **Desire Under the Elms (1924)** – A dark, Freudian tragedy set in rural New England.  

- **Strange Interlude (1928)** – A nine-act play with stream-of-consciousness monologues.  

- **Mourning Becomes Electra (1931)** – A Greek tragedy reset in post-Civil War America.  

- **The Iceman Cometh (1946)** – A bleak, existential drama about illusion and despair.  

- **Long Day’s Journey Into Night (1956, posthumous)** – His autobiographical masterpiece, awarded a posthumous Pulitzer.  


Themes & Style

O’Neill’s plays often explore:  

- **Family dysfunction** (influenced by his turbulent relationship with his parents and brother).  

- **Human despair, addiction, and existential suffering.**  

- **The conflict between dreams and harsh reality.**  

- **Psychological and spiritual struggles.** 

His writing evolved from naturalism to expressionism and later to deeply personal, tragic realism.  


Legacy

- The only American playwright to win the Nobel Prize in Literature (1936).  

- Won four Pulitzer Prizes (a record for drama).  

- Inspired future playwrights like Tennessee Williams, Arthur Miller, and Edward Albee.  



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Eugene O'Neill: His Life and His Works 

Presented by 王璐、李艳玲、向文雯,English Education Class 1903 on June 1, 2022. 




Eugene O'Neill and Desire Under the Elms ( 1924) presented by 王宝怡( presenter) 、姜燕芳(Carbot) 李远琴(Abbey)、肖雯晨(Eben) on May 31, 2022. 


Selected Reading:

Desire Undr the Elms, pp.208-213