目录

  • 1 Chapter one
    • 1.1 Puritanism
    • 1.2 Benjamin Franklin
  • 2 Chapter two
    • 2.1 American Romanticism
      • 2.1.1 American Romanticism
      • 2.1.2 American Transcendentalism
    • 2.2 Washington Irving
      • 2.2.1 Rip Van Winkle
    • 2.3 Nathaniel Hawthorne
      • 2.3.1 The Scarlet Letter
      • 2.3.2 本节总结
    • 2.4 Edgar Allan Poe
      • 2.4.1 Poe's Poetic Principles
      • 2.4.2 To Helen
      • 2.4.3 The Raven
  • 3 Chapter 3 19th Century Literature
    • 3.1 American Realism
    • 3.2 Mark Twain
    • 3.3 American Naturalism
    • 3.4 Theodore Dreiser
      • 3.4.1 Sister Carrie
    • 3.5 Jack London
      • 3.5.1 The Call of the Wild
  • 4 Chapter 4 20th Century American Literature
    • 4.1 第九周 American Modernism
    • 4.2 Jazz Age
    • 4.3 第十周 F. Scott Fitzgerald
    • 4.4 第十一周 Lost Generation
    • 4.5 Ernest Hemingway
    • 4.6 第十二周 Imagism +Ezra Pound
    • 4.7 第十三周 Robert Frost
    • 4.8 Southern  Renaissance
    • 4.9 William Faulkner
  • 5 American Drama
    • 5.1 The Development of American Theater
    • 5.2 Eugene O'Neil
    • 5.3 Tennessee Williams
      • 5.3.1 A Street Car Named Desire
    • 5.4 Arthur Millier
    • 5.5 考试题型
William Faulkner
  • 1 Faulkner 介绍
  • 2 Yoknapatawpha&nbs...
  • 3 The Sound&nb...

William Faulkner

Biographical


William Faulkner (1897-1962), who came from an old southern family, grew up in Oxford, Mississippi.   He joined the Canadian, and later the British,   Royal Air Force during the First World War, studied for a while at the   University of Mississippi, and temporarily worked for a New York bookstore and a New Orleans newspaper. Except for some trips to Europe and Asia, and a few brief stays in Hollywood as a scriptwriter, he worked on his novels and short stories on a farm in Oxford.

  In an attempt to create a saga of his own, Faulkner has invented a host of characters typical of the historical growth and subsequent decadence of the South. The human drama in Faulkner's novels is then built on the model of the actual, historical drama extending over almost a century and a half Each story and each novel contributes to the construction of a whole, which is the   imaginary Yoknapatawpha County and its inhabitants. Their theme is the decay of the old South, as represented by the Sartoris and Compson families, and the emergence of ruthless and brash newcomers, the Snopeses. Theme and technique – the distortion of  time through the use of the inner monologue are fused particularly successfully in The Sound and the Fury (《喧哗与骚动》) (1929), the downfall of the Compson family seen through the minds of several characters. The novel Sanctuary (1931) is about  the degeneration of Temple Drake, a young girl from a   distinguished southern family. Its sequel, Requiem For A  Nun (1951), written partly as a drama, centered on the courtroom trial of a Negro woman who had once been a party to Temple Drake's debauchery. In Light in August (1932),   prejudice is shown to be most destructive when it is  internalized, as in Joe Christmas, who believes, though there is  no proof of it, that one of his parents was a Negro. The theme of  racial prejudice is brought up again in Absalom, Absalom!   (1936), in which a young man is rejected by his father and  brother because of his mixed blood. Faulkner's most outspoken moral evaluation of the relationship and the problems between Negroes and whites is to be found in Intruder In the Dust  (1948).

  In 1940, Faulkner published the first volume of the Snopes trilogy, The Hamlet, to be followed by two volumes, The Town (1957) and The Mansion (1959), all of them tracing the rise of the insidious Snopes family to positions of power and wealth in the community. The reivers, his last –  and most humorous – work, with great many similarities to Mark Twain's Huckleberry Finn, appeared in 1962, the year of  Faulkner's death.