20级-中国白话小说专题
凌筱峤、丁鹏
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1 What is huaben and how did it develop as a reading tradition?
1.1 Huaben as a reading tradition beyond generic boundaries
1.2 Earliest huaben story as leisurely urban experience 钱塘梦
1.3 Huaben story as regional imaginary of the West Lake 孔淑芳双鱼坠传
2 Promoting huaben stories--reading experiences and expectations
2.1 Imagined cultural and social function of storytelling
2.2 Huaben story for leisurely reading 快嘴李翠莲记
2.3 Literati sentimentality vs. reading for pleasure 玩江楼记
3 The huaben novella and narrative strategies
3.1 Narrative control and formal realism
3.2 Psychological realism and literary achievements 珍珠衫
3.3 Huaben as a space for linguistic plurality 薛录事
4 The huaben novella and value negotiations
4.1 Material culture and mobility
4.2 Value-giving and ideal personhood 洞庭红
4.3 Ethnicity and cultural anthropology 走安南
5 The huaben novella and gendered morality
5.1 Gender and morality
5.2 Filial piety, martyrdom, and female virtue 孝妇屠身
5.3 Genderee morality 男孟母
6 Power of Gossips--The Bean Arbor as a Productive Space
6.1 The bean arbor as a chronotope
6.2 A genealogy of female vice 火封妒妇、水葬西施
6.3 Regional imagination as social commentary 清客联盟
7 Place as Narrative Scaffolding
7.1 Place, space, and storytelling
7.2 Technology and spatial imagination 夏宜楼
7.3 New space-making in historical time 生我楼
8 Wrap-up and group presentations
Psychological realism and literary achievements 珍珠衫
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蒋兴哥重会珍珠衫(《喻世明言》第一卷)
参考阅读:宋懋澄《珠衫》P270-274
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