目录

  • 1 文化渊源 Origin of Chinese Culture
    • 1.1 中国概况 China Overview
    • 1.2 中国历史要略 An Outline of Chinese Culture History
    • 1.3 远古神话 Chinese Ancient Mythology
    • 1.4 文化标志 Cultural Symbols
    • 1.5 章节测验
  • 2 汉语 Chinese Language and Character
    • 2.1 汉字 Chinese Characters
    • 2.2 中国方言 Chinese Dialects
    • 2.3 拼音 Pinyin
    • 2.4 章节测验
  • 3 第三章 古代哲学宗教 A ncient Philosophy and Religions
    • 3.1 道家和道教
    • 3.2 儒家
    • 3.3 佛教
    • 3.4 伊斯兰教
    • 3.5 单元测验 儒家
    • 3.6 单元测试 道家
    • 3.7 单元测试 佛教
  • 4 古代文学 Ancient Literature
    • 4.1 典籍
    • 4.2 史书和百科全书
    • 4.3 古诗词
    • 4.4 四大名著
    • 4.5 单元测试
  • 5 书法与绘画  Calligraphy and Painting
    • 5.1 书法
    • 5.2 印章
    • 5.3 绘画
    • 5.4 单元测试
  • 6 戏曲 Chinese Opera
    • 6.1 戏曲
    • 6.2 京剧
    • 6.3 昆曲
    • 6.4 曲艺
    • 6.5 单元测试
  • 7 服饰文化  Chinese Clothing Culture
    • 7.1 典型中国服装类型 Typical Chinese Costumes
    • 7.2 少数民族服饰 Costumes of Ethnic Minorities in China
    • 7.3 丝绸 Silk
    • 7.4 汉服 Hanfu
    • 7.5 单元测试
  • 8 饮食文化 Food and Drinks Culture
    • 8.1 中餐文化
    • 8.2 茶文化
    • 8.3 酒文化
    • 8.4 餐桌礼仪
    • 8.5 单元测试
  • 9 建筑文化 Architecture Culture
    • 9.1 古代建筑史 Ancient Chinese Architecture History
    • 9.2 北京四合院 Beijing’s Siheyuan
    • 9.3 园林 Chinese Gardens
    • 9.4 徽派建筑 Huizhou Architecture
    • 9.5 胡同 Hutong
    • 9.6 单元测试
  • 10 传统体育 Traditional Sports
    • 10.1 中国传统运动
    • 10.2 武术 Chinese Martial Arts
    • 10.3 太极拳 Taijiquan
    • 10.4 蹴鞠 Cuju
    • 10.5 单元测试
  • 11 民俗文化 Folk Customs
    • 11.1 阴历 Chinese Lunar Calendar
    • 11.2 节气 Chinese Solar Terms
    • 11.3 生肖文化 Chinese Zodiac Culture
    • 11.4 风水文化 Chinese fengshui
    • 11.5 单元测试
  • 12 传统节日  Traditional Festivals
    • 12.1 传统节日 Chinese Traditional Festivals
    • 12.2 端午节 Dragon Boat Festival
    • 12.3 七夕节 Double Seventh Festival
    • 12.4 重阳节 Double Ninth Festival
    • 12.5 春节 Spring Festival
    • 12.6 单元测试
  • 13 古代科技 Ancient Science and Technology
    • 13.1 古代四大发明 Four Great Inventions of Ancient China
    • 13.2 算盘 The Abacus
    • 13.3 候风地动仪 Hou Feng Di Dong Yi
    • 13.4 古代科技的发展与衰败 Advancement and Stagnation of Ancient Chinese Science and Technology
    • 13.5 单元测试
  • 14 中医文化  Traditional Chinese Medicine
    • 14.1 中医 Traditional Chinese Medicine
    • 14.2 针灸 Acupuncture
    • 14.3 中药学 ​Chinese Herbology
    • 14.4 中医基础理论 Basic Theory of Chinese Medicine
    • 14.5 单元测试
  • 15 传统工艺文化 Crafts
    • 15.1 手工艺 Chinese Handicraft
    • 15.2 陶瓷  Chinese Porcelain
    • 15.3 灯笼 Chinese Lanterns
    • 15.4 刺绣 Chinese Embroidery
    • 15.5 单元测试
  • 16 中国的世界文化遗产 World Heritage Sites in China
    • 16.1 中国世界遗产的保护 World Heritage Preservation in China
    • 16.2 秦始皇兵马俑 Terracotta Warriors and Horses
    • 16.3 三清山国家公园 Mount Sanqingshan National Park
    • 16.4 泰山 Mount Taishan
    • 16.5 峨眉山 Mount Emei
    • 16.6 单元测试
秦始皇兵马俑 Terracotta Warriors and Horses


Terracotta Warriors and Horses

The Terracotta Warriors, also known as Terracotta Warriors and Horses Museum, is located about 36 kilometers (22.4 miles) east of Xian. It is known to many as the Eighth Wonder of the World and features life-sized sculptures of warriors and horses all with different facial expressions and postures. It is affiliated to the Mausoleum of Qin Shi Huang, the first emperor of the Qin Dynasty (221 BC - 206 BC) and the first unifier of China. The underground corps guards the mausoleum for over 2,000 years and displays the powerful army of the Qin Dynasty.

The clay warriors and horses were discovered accidentally when some local farmers sank a well at the foot of Mt Lishan in 1974. The excavation was later carried on the site and unearthed were more than 7,000 clay soldiers, over 100 chariots, more than 400 clay horses and over 100,000 pieces of weaponry. In 1980, another major dig revealed two sets of big painted bronze chariots and four horses - the most delicate, the largest and oldest bronze of its kind in China. The Terracotta Warriors was listed as a World Cultural Heritage site in 1987.

The museum mainly consists of three pits marked numerically in order of their excavation. It was supported by massive timbers and was covered with reed mats and earth. The clay figures are mostly 1.75 - 1.85 meters (5.74 - 6.07 feet) tall and represent all levels of army-officers, armed warriors and ordinary soldiers. They are arrayed in battle formation, looking like imperial guards protecting a subterranean palace. When the original clay sculptures were first unearthed they were painted different colors, but because of their exposure to the atmosphere, they have gradually faded over time.

The Terracotta Warriors are the most significant archeological discovery of the 20th century in China. They are acclaimed to be on the same level of historical importance as the pyramids of Egypt and the sculptures of ancient Greece. The museum is a major world tourist destination, with about twenty percent of its visitors coming from outside of China.

Pit 1 is the first site discovered and the largest one of the three pits. This rectangular pit covers an area of 14,260 square meters (3.5 acres), measuring 230 meters (251.5 yards) long, 62 meters (67.8 yards) wide and about 5 meters (16.4 feet) deep. The pit features infantry regiments and chariots. It has five inclining approaches in the east and west end and is partitioned by ten compacted-earth walls.

In the front of the pit stand three rows terracotta warriors, seventy warriors being lined up in a row. They are supposed to be the vanguard of the whole infantry. Each row has a commander dressed in armor and the rest wear short suits, with their legs in puttees, which seems they are ready to start on a mission. Behind the three rows is the main body of the troop. 6000 warriors in armors and 35 chariots are lined up in eleven passages. 38 columns of the infantry are in the neat lineup, and in each column, there are horses and chariots.

Pit 2 contains more than one thousand warriors which are the backbone of the whole underground army. It features a mixed force consisting of infantries, cavalries, and chariots. The arrangement of the troop is permeated with great pomp. The pit is in the form of the letter L and has an area of 6,000 square meters (1.5 acres). The pit is now still under excavation and it is estimated that the pit has over 1,300 pieces of warriors and horses, more than 80 chariots, and tens of thousands of weapons.

In the exhibition hall, some warriors and horses unearthed are displayed in glass cases, which grants its visitors a close insight. These figures are very life-like and represent different kinds of the warrior. Exhibited is the cavalryman with his saddled war-horse, officer, general, kneeling archer, standing archer and others, and each has its own story.

Pit 3 is considered to be the command post of the underground terrace cotta army. It is the smallest pit of the three pits and the layout accords with the Chinese character '凹'. It measures 17.6 meters (19.2 yards) wide and 21.4 meters (23.4 yards) long. In the east, there is a leaning long gateway and in the west lie three chambers, central chamber, northern chamber and southern chamber. In the central chamber, four horses remains of a chariot and four warriors could be seen.

Excavated from the pit is one chariot remains, 4 horses and 68 warriors, and the arrangement of warriors are different from those of Pit 1 and Pit 2. The warriors in the other two are disposed of in battle formation while the warriors here are lining the corridor. In the north chamber, there are the remains of deer's horn, the door, and broken warriors.

 Cultural Relics Exhibition Hall

The exhibition hall is located in the northeast corner of the museum. Some precious cultural relics unearthed from the pits are displayed in the hall. There are ancient swords, different kinds of bronze weapons and other articles, among which two sets of bronze chariot and horses are the most valuable. The two sets of bronze chariot and horses are the most delicate bronze ware unearthed in China and are the biggest bronze in the world.

They were discovered 20 meters (21.9 yards) west to the Mausoleum of Qin Shi Huang in 1980. They were found broken into pieces in a collapsed coffin, but attain their original glamour after the restoration. The two chariots are named Bronze Chariot and Horses No. 1 and Bronze Chariot and Horses No. 2 by their excavation order. The Chariot No. 1 is placed ahead to safeguard the Chariot No. 2, and each chariot is drawn by four horses, with a single shaft. Chariot No. 1 is equipped with bows, crossbows, arrowheads, and shields, and its diver wears an officer's cap. The Chariot No. 2 has a separate front room and backroom and is fitted out with over 1500 pieces of ornaments made of golden, silver and other material.