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This essay on a famous man, whose name is not revealed until almost the end of the piece, is a study of monstrous conceit. Filled with biographical details that keep the reader guessing to the last moment, the essay concludes with a challenging view on the nature of genius: If a genius was so prolific, “is it any wonder that he had no time to be a man?”
The text can be divided into three parts:
Part I (Paragraphs 1 - 9): This part describes a man who seems to have rolled all kinds of demerits into one, a real monster.
Part II (Paragraph 10): This part serves as a transitional paragraph, which clarifies who this monster really is, i.e. a famous musician by the name of Richard Wagner.
Part III (Paragraphs 11 - 13): The last part justifies all the peculiar behavior of Richard Wagner.










