中国民族民间舞蹈1-Chinese Ethnic and Folk...

蔡雯 刘米佳 朱静静 李欣欣-CAI Wen、LIU Mijia、ZHU Jingjing、LI Xinxin

目录

  • 1 第一讲 藏族舞蹈文化Lecture One: Tibetan Dance Culture
    • 1.1 藏族舞蹈历史简介Introduction to the History of Tibetan Dance
    • 1.2 藏族舞蹈的服饰与音乐特点The Costume and Musical Characteristics of Tibetan Dance
  • 2 第二讲 藏族舞蹈概述Lecture Two: An Overview of Tibetan Dance
    • 2.1 藏族舞蹈的分类与表现形式Classification and Expression Forms of Tibetan Dance
    • 2.2 藏族舞蹈的风格特点The style Characteristics of Tibetan Dance
  • 3 第三讲 藏族舞蹈风格性组合“弦子”Lecture Three: The Stylistic Ensemble of Tibetan Dance "Xianzi"
    • 3.1 “弦子”舞蹈的发展历史与表现形式The development history and forms of expression of Xianzi Dance
    • 3.2 弦子舞蹈的风格特点与动作讲解Explanation of the Style Characteristics and Movements of Xianzi Dance
  • 4 第四讲 藏族舞蹈风格性组合“堆谐”Lecture Four: The Stylistic Combination of Tibetan Dance "Duixie"
    • 4.1 ”堆谐“舞蹈的发展历史与表现形式The Development History and Forms of Expression of "Duixie" Dance and Song
    • 4.2 ”堆谐”舞蹈的风格特点与动作讲解Explanation of the Style Characteristics and Movements of "Duixie" Dance and Song
  • 5 第五讲 藏族舞蹈风格性组合“卓”Lecture Five: The Stylistic Combination of Tibetan Dance "Zhuo"
    • 5.1 “卓”的舞蹈文化发展和舞蹈表现形式The Development and Expression Forms of "Zhuo" Dance Culture
    • 5.2 “卓”的基本动律和风格特点The Basic Rhythm and Style Characteristics of "Zhuo"
  • 6 第六讲 藏族舞蹈风格性组合“果谐”Lecture Six: The Stylistic Combination of Tibetan Dance "Guoxie"
    • 6.1 “果谐”的舞蹈文化发展与表现形式The Development and Expression Forms of "Guoxie" Dance Culture
    • 6.2 “果谐”的基本动律与风格特点The Basic Dynamic Rules and Style Characteristics of "Fruit Harmony"
  • 7 第七讲  藏族舞蹈风格性组合“热巴鼓”Lecture 7: Tibetan Dance Style Ensemble "Reba Drum"
    • 7.1 “热巴鼓”的舞蹈文化发展和表现形式The Development and Expression Forms of the Dance Culture of "Reba Drum"
    • 7.2 “热巴鼓”的基本动律与风格特点The Basic Rhythm and Style Characteristics of the "Reba Drum"
  • 8 第八讲 藏族舞蹈风格性组合“囊玛”Lecture 8: The Style Ensemble of Tibetan Dance "Nangma"
    • 8.1 “囊玛”的舞蹈文化发展与表现形式The Development and Expression Forms of the Dance Culture of "Nangma"
    • 8.2 “囊玛”的基本动律和风格特点The Basic Rhythm and Style Characteristics of "Nangma"
“囊玛”的基本动律和风格特点The Basic Rhythm and Style Characteristics of "Nangma"

知识点二 “囊玛”的风格特点和动作解析

囊玛的舞蹈是从堆谐中借鉴变化而来,其这方面的特点很明显。尽管它的舞蹈动作比较简单,多抬脚、甩手、踏点步,但华贵典雅的气质和人情味很足,优美风雅、富有时代审美情趣。 表演开始时,先由乐器演奏一段引子,六弦琴伴奏。引子音乐一般不跳,如果想跳可以原地右脚起步,自由甩手,作“四拍三踏步”法。唱段开始之后舞步停止,舞者齐声纵情歌唱,以抒发音乐情绪传达舞蹈内容。歌词完毕,舞者聚集起来直面观众,撒开衫袖右脚踏点起舞。然后叫一声“勒似”统一步法,时而向前复而后退作抬脚甩手“行进踏点”步,神情潇洒、悠然、大方;时而向左复而向右踏点转圈,不时拂袖转动手腕,作拖步施礼动作。最后脚下发出踢踏节奏,表现人们欢快愉悦的精神风貌。

欣赏“囊玛”风格舞蹈片段


Knowledge Point 2 The Basic rhythm and style characteristics of "Nangma"

 

Nangma dance is derived and adapted from Duixie, and its characteristics in this aspect are quite obvious. Although its dance movements are relatively simple, featuring frequent foot lifts, hand swings and a few steps, it exudes a luxurious and elegant demeanor as well as a strong sense of human warmth. It is graceful and refined, and rich in the aesthetic taste of The Times. Now let's learn together the common dance moves and steps used in the Nangma dance. When performing the "lift step", the vibration rate should be consistent throughout. The knee should drive the thigh upwards, and when the calf is lifted out, the knee should sink. The foot should be in a relaxed and free state, without curling or stretching the foot. The movements should be steady, graceful, dignified and generous. At the end, perform a bowing gesture.

Now let's enjoy together a segment of the Tibetan dance textbook "Nangma Ensemble" choreographed by Teacher Ciren Sam from Minzu University of China.